The Ornamental Feature of the Tenth wing of Shrimad Bhagwat

Abstract

The plan of all the major ornaments in the tenth wing of Bhagwat is in a minimal form, but according to the subject matter, some are very emotional and humorous. Alliteration is used in rhymes. Among the metaphors, the favorite metaphors are often similes, allusions, parables, etc. In some places exaggeration etc. has been used very beautifully and successfully with euphemisms. Contradictions and exaggerations or exaggerations etc. in relation to Lord Krishna act similarly to nature, because all kinds of opposition to Brahman or Hari are characteristic and exaggeration is similar to nature to them. In the same way, Utpreksha is also a very suitable metaphor for them, because the basic mantra of their true nature, even though it is known, is still unknown. Man can know that true form to him as far as it seems to him. Therefore, the realization is the characteristic on the green leela. Even in the descriptive context, the use of Utpreksha in the description of Divyavastu is fine. Proverbs, examples, etc., have been used very eloquently and skillfully in Bhagwat to illustrate Vanryavastu. The use of metaphors in Srimad-Bhagavatam has happened instinctively in every context. Nowhere is it felt that ornaments have been used forcibly and unnecessarily. That is why metaphors have become an integral part of the Bhagavad-gita language. They blend so perfectly into each line of the poem that they seem to be an integral part of it. The metaphors in Bhagwat make the expression unique and attractive. And promote poetic beauty. These make the emotions more touching and sensitive.